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The theme of the margin – Cultural approach towards Arab cinematic models

dc.contributor.authorIkram, Mekhfi
dc.contributor.authorSameh, Benkhrouf
dc.date.accessioned2024-05-06T11:13:08Z
dc.date.available2024-05-06T11:13:08Z
dc.date.issued2024-01-01
dc.identifier.citationMekhfi Ikram, Benkhrouf Sameh (2024). The theme of the margin – Cultural approach towards Arab cinematic models . Journal for Educators, Teachers and Trainers,Vol. 15(1).164-168. DOI:es_ES
dc.identifier.urihttps://hdl.handle.net/10481/91439
dc.description.abstractThe theme of the margin turned into the focal point of many studies because it is fertile and reflects the vivid reality at many aspects. This approach attempts to cover the manifestations of the margin in models of the Arab cinema and takes two paths. The 1st discusses the cultural approach and its position in the traditional literary criticism, and the 2nd is practical and covers the manifestations of the margin in chosen cinematic models.es_ES
dc.language.isoenges_ES
dc.publisherUniversidad de Granadaes_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectThemees_ES
dc.subjectMargines_ES
dc.subjectApproaches_ES
dc.subjectCulturales_ES
dc.subjectCinematices_ES
dc.subjectArabes_ES
dc.titleThe theme of the margin – Cultural approach towards Arab cinematic modelses_ES
dc.typejournal articlees_ES
dc.rights.accessRightsopen accesses_ES
dc.identifier.doi10.47750/jett.2024.15.01.019
dc.type.hasVersionVoRes_ES


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