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dc.contributor.authorCalderon-Sandoval, Orianna
dc.contributor.authorRivera-Izquierdo, Angela
dc.contributor.authorSánchez Espinosa, María Adelina 
dc.date.accessioned2026-02-27T10:34:44Z
dc.date.available2026-02-27T10:34:44Z
dc.date.issued2024
dc.identifier.citationOrianna Calderón-Sandoval, Ángela Rivera-Izquierdo, and Adelina Sánchez-Espinosa. Feminist Media Histories, Vol. 10, Number 4, pp. 109–131. (2024)es_ES
dc.identifier.urihttps://hdl.handle.net/10481/111673
dc.descriptionPreprint versiónes_ES
dc.description.abstractStudies about representations of Latinidad in US and European media have identified stereotypes like criminalization and hypersexualization. Furthermore, it has been argued that comedy operates as a double-edged sword in exposing racism, as humor can be deployed to simultaneously mask/justify and show/denounce racial discrimination and monolithic representations of Latinidad. Using a feminist intersectional perspective that foregrounds constructions of masculinities and racialization/migration as exclusionary factors, this essay discusses how RTVE Playz, the digital platform of the Spanish public television aimed at young audiences, represents Latinidad in its series Riders (2021). Situated within the dynamics of racialization in Spain, Riders stands out as an example of dark humor that both complicates and reinforces stereotypes. Through a close reading of the series, we assess its response to current social, political and cultural citizenship challenges.es_ES
dc.description.sponsorshipThis research was funded by the project DIGISCREENS. DIGISCREENS is supported by the Research Council of Norway; Research Council of Lithuania; FORTE: Swedish Research Council for Health, Working Life, and Welfare; la Agencia Nacional de Investigacio ́n del Ministerio de Ciencia e Investigacio ́n, under CHANSE ERA-NET Co-fund programme, which has received funding from the European Union’s Horizon 2020 Research and Innovation Programme, under Grant Agreement no. 101004509es_ES
dc.language.isoenges_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMasculinity es_ES
dc.subjectTelevision serieses_ES
dc.titleRace-ing Masculinity: An Intersectional Analysis of the Spanish Public Platform Series Riderses_ES
dc.typejournal articlees_ES
dc.rights.accessRightsopen accesses_ES
dc.identifier.doihttps://doi.org/ 10.1525/fmh.2024.10.4.109
dc.type.hasVersionAMes_ES


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 Internacional