Race-ing Masculinity: An Intersectional Analysis of the Spanish Public Platform Series Riders
Identificadores
URI: https://hdl.handle.net/10481/111673Metadatos
Mostrar el registro completo del ítemMateria
Masculinity Television series
Fecha
2024Referencia bibliográfica
Orianna Calderón-Sandoval, Ángela Rivera-Izquierdo, and Adelina Sánchez-Espinosa. Feminist Media Histories, Vol. 10, Number 4, pp. 109–131. (2024)
Patrocinador
This research was funded by the project DIGISCREENS. DIGISCREENS is supported by the Research Council of Norway; Research Council of Lithuania; FORTE: Swedish Research Council for Health, Working Life, and Welfare; la Agencia Nacional de Investigacio ́n del Ministerio de Ciencia e Investigacio ́n, under CHANSE ERA-NET Co-fund programme, which has received funding from the European Union’s Horizon 2020 Research and Innovation Programme, under Grant Agreement no. 101004509Resumen
Studies about representations of Latinidad in US and European media have identified stereotypes like criminalization and hypersexualization. Furthermore, it has been argued that comedy operates as a double-edged sword in exposing racism, as humor can be deployed to simultaneously mask/justify and show/denounce racial discrimination and monolithic representations of Latinidad. Using a feminist intersectional perspective that foregrounds constructions of masculinities and racialization/migration as exclusionary factors, this essay discusses how RTVE Playz, the digital platform of the Spanish public television aimed at young audiences, represents Latinidad in its series Riders (2021). Situated within the dynamics of racialization in Spain, Riders stands out as an example of dark humor that both complicates and reinforces stereotypes. Through a close reading of the series, we assess its response to current social, political and cultural citizenship challenges.





