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Narrativity, discourse situation and the opening of Elgar's cello concerto in E minor, Op. 85
dc.contributor.author | Falces Sierra, Marta | |
dc.date.accessioned | 2024-02-06T09:21:02Z | |
dc.date.available | 2024-02-06T09:21:02Z | |
dc.date.issued | 2024-02 | |
dc.identifier.citation | Published version: Falces Sierra, M. 2024. “Narrativity, discourse situation and the opening of Elgar's cello concerto in E minor, Op. 85”. En M. Haładewicz-Grzelak & P. García-Ramírez. Hermeneutical Narratives in Art, Literature, and Communication. London: Bloomsbury Academic, págs. 71-84. | es_ES |
dc.identifier.uri | https://hdl.handle.net/10481/88349 | |
dc.description.abstract | This chapter approaches the idea of music narrativity within the scope of comparative discourse stylistics. Considering the music score as a text, The author discusses if the understanding of a music piece as a story implies its perception also as a piece of narrative fiction. To do so, discourse situation in verbal narrative fiction (Leech & Short, 2007) is transmuted into music narrative (Steiner, 1996) . The lack of a narrative voice, the crafting of the story through dramatic interaction and its performative dimension suggest that our perception of a music piece may shift away from narrative to dramatic discourse. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Bloomsbury Academic | es_ES |
dc.title | Narrativity, discourse situation and the opening of Elgar's cello concerto in E minor, Op. 85 | es_ES |
dc.type | info:eu-repo/semantics/bookPart | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/embargoedAccess | es_ES |
dc.identifier.doi | 9781350405431 | |
dc.type.hasVersion | info:eu-repo/semantics/submittedVersion | es_ES |