@misc{10481/47535,
year = {2015},
month = {11},
url = {http://hdl.handle.net/10481/47535},
abstract = {La cuestión abordada en este artículo propone analizar la posible relación
existente entre poesía y cine dentro del concepto de “intermedialidad”. Nos centraremos en
las condiciones que definen la existencia de un cine de poesía, analizando en concreto la
estructura y el discurso poético de la película El cielo sobre Berlín de Wim Wenders para tratar
de demostrar la presencia de unas características discursivas muy distintas que podríamos
denominar “poéticas” y que se contraponen al cine tradicionalmente considerado como
narrativo.},
abstract = {The question that is being carried out in this article is about the possible existing
relationship between poetry and cinema, inside the concept of “intermediality” between these
two “sister arts”. We will try to focus on the conditions that define the possibility of the
existence of a cinema of poetry or a poetic cinema, concretely analyzing the poetic structure
and speech inside the movie Wings of Desire by Wim Wenders. The attempt is to demonstrate
the presence of some discursive characteristics that are very different from a cinema defined as
narrative, both from a point of view of style and content, and these ones, for that reason,
would be defined as “poetic”.},
publisher = {Asociación Cultural Impossibilia},
keywords = {Cine},
keywords = {Poesía},
keywords = {Literatura},
keywords = {Intermedialidad},
keywords = {Relaciones interartísticas},
keywords = {Cinema},
keywords = {Poetry},
keywords = {Literature},
keywords = {Intermediality},
keywords = {Interartistics Relationships},
title = {Discurso poético en 'El cielo sobre Berlín' de Wim Wenders},
author = {Russo, Serena},
}