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      <dc:title>El “palo cortado”: ¿el nacimiento de un nuevo palo flamenco?</dc:title>
      <dc:creator>Gómez Sánchez, Daniel</dc:creator>
      <dc:creator>Bustinza Sánchez, Óscar Fernando</dc:creator>
      <dc:creator>Morales Gallego, Matilde</dc:creator>
      <dc:subject>Industria musical</dc:subject>
      <dc:subject>Industria vinícola</dc:subject>
      <dc:date>2022-07-14T06:59:10Z</dc:date>
      <dc:date>2022-07-14T06:59:10Z</dc:date>
      <dc:date>2022-07-12</dc:date>
      <dc:type>journal article</dc:type>
      <dc:identifier>http://hdl.handle.net/10481/75993</dc:identifier>
      <dc:language>spa</dc:language>
      <dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/</dc:rights>
      <dc:rights>open access</dc:rights>
      <dc:rights>Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License</dc:rights>
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