Musical Works’ Repeatability, Audibility and Variability: A Dispositional Account García-Carril Puy, Nemesio Ontology of music Musical works Musical performances Musical medium Common ground Repeatability Audibility This paper is devoted to face recent views in the ontology of music that reject that musical works are repeatable in musical performances. It will be observed that musical works’ repeatability implies that they are audible and variable in their performances. To this extent, the aim here is to show that repeatability, audibility and variability are ontologically substantive features of musical works’ nature. The thesis that will be defended is that repeatability, audibility and variability are dispositional non-aesthetic properties of musical works. The plausibility of the dispositional account of musical works’ repeatability, audibility and variability will lead us to the conclusion that they are ontologically substantive features of musical works’ nature, and consequently, any suitable explanation of the ontology of musical works must not ignore them. 2020-01-29T10:40:57Z 2020-01-29T10:40:57Z 2019 info:eu-repo/semantics/article Puy, N. G. C. (2019). Musical Works’ Repeatability, Audibility and Variability: A Dispositional Account. Filozofija i društvo, 30(1), 54-72. http://hdl.handle.net/10481/59236 10.2298/FID1901054G eng http://creativecommons.org/licenses/by-nc-nd/3.0/es/ info:eu-repo/semantics/openAccess Atribución-NoComercial-SinDerivadas 3.0 España Institut za Filozofiju i Drustvenu Teoriju Beograd