Visualising In/Equalities through Contemporary Documentary Cinema. A Diffractive Reading of Feminist Practices in Spanish and Italian Non-Fiction Films Calderón Sandoval, Orianna Aketzalli Sánchez Espinosa, María Adelina Monticelli, Rita Universidad de Granada. Programa de Doctorado en Estudios de las Mujeres, Discursos y Prácticas de Género Spanish non-fiction films Italian non-fiction films Feminist Practices Contemporary Documentary Cinema My multi-layered hypothesis is that feminist material-discursive practices enacted either by documentary filmmakers, filmed subjects or film spectators, have effects on the visualisation of in/equalities in and through the films content and form, but also in and through their contexts of production and reception. In order to identify these effects, contemporary documentary cinema that deals with social inequalities rooted in, but not limited to, gender, can be analysed as a diffraction apparatus, i.e. technologies that create boundaries and make the world intelligible through intra-actions between human and non-human agencies of observation and objects of observation. 2019-10-18T10:07:56Z 2019-10-18T10:07:56Z 2019 2019-09-13 doctoral thesis Calderón Sandoval, Orianna Aketzalli. Visualising In/Equalities through Contemporary Documentary Cinema. A Diffractive Reading of Feminist Practices in Spanish and Italian Non-Fiction Films. Granada: Universidad de Granada, 2019. [http://hdl.handle.net/10481/57416] 9788413063287 http://hdl.handle.net/10481/57416 eng http://creativecommons.org/licenses/by-nc-nd/3.0/es/ open access Atribución-NoComercial-SinDerivadas 3.0 España Universidad de Granada