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      <dc:title>La vida sin nombre. La postmodernidad según David Lynch</dc:title>
      <dc:creator>Cabello Padial, Gabriel</dc:creator>
      <dc:contributor>Henares Cuéllar, Ignacio</dc:contributor>
      <dc:contributor>Rubio Lapaz, Jesús</dc:contributor>
      <dc:contributor>Universidad de Granada. Departamento de Historia del Arte y Música</dc:contributor>
      <dc:subject>Cine</dc:subject>
      <dc:subject>Historia del arte</dc:subject>
      <dc:date>2010-06-08T12:10:44Z</dc:date>
      <dc:date>2010-06-08T12:10:44Z</dc:date>
      <dc:date>2003</dc:date>
      <dc:type>doctoral thesis</dc:type>
      <dc:identifier>http://hdl.handle.net/10481/4551</dc:identifier>
      <dc:language>es</dc:language>
      <dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/</dc:rights>
      <dc:rights>Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License</dc:rights>
      <dc:publisher>Granada: Universidad de Granada</dc:publisher>
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