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      <dc:title>La inversión del concepto de basamento en la escultura del siglo XX. La escultura de Lavier, Vermeiren y Whiteread</dc:title>
      <dc:creator>Sánchez Tallón, Emilia</dc:creator>
      <dc:contributor>Galera Andreu, Pedro A.</dc:contributor>
      <dc:contributor>Osuna Luque, Carmen</dc:contributor>
      <dc:contributor>Universidad de Granada. Departamento de Escultura</dc:contributor>
      <dc:subject>Lavier</dc:subject>
      <dc:subject>Vermeiren</dc:subject>
      <dc:subject>Whiteread, Rachel, 1963-</dc:subject>
      <dc:subject>Bellas Artes</dc:subject>
      <dc:subject>Escultura</dc:subject>
      <dc:subject>Siglo XX</dc:subject>
      <dc:date>2009-09-25T11:52:11Z</dc:date>
      <dc:date>2009-09-25T11:52:11Z</dc:date>
      <dc:date>2006</dc:date>
      <dc:date>2006</dc:date>
      <dc:type>info:eu-repo/semantics/doctoralThesis</dc:type>
      <dc:identifier>http://hdl.handle.net/10481/1030</dc:identifier>
      <dc:language>es</dc:language>
      <dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/</dc:rights>
      <dc:rights>Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License</dc:rights>
      <dc:publisher>Granada: Universidad de Granada</dc:publisher>
   </ow:Publication>
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