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dc.contributor.author | Ruiz Gutiérrez, Ana | |
dc.date.accessioned | 2025-01-22T10:50:08Z | |
dc.date.available | 2025-01-22T10:50:08Z | |
dc.date.issued | 2020 | |
dc.identifier.isbn | 6218028224 | |
dc.identifier.uri | https://hdl.handle.net/10481/99971 | |
dc.description.abstract | The term “Hispano-Filipino ivories” is used here to refer to ivory sculptures from the Philippines that traveled to the Iberian Peninsula aboard the Manila galleons beginning in the sixteenth century. This essay examines the context of their transoceanic journey: Did they arrive as isolated pieces, or were they part of a larger artistic exchange? The main purpose of this essay is to document some surviving examples of Hispano-Filipino ivory sculptures in Spain. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Getty Research Institute; Kunsthistorisches Institut in Florenz – Max-Planck-Institut | es_ES |
dc.subject | Philippines | es_ES |
dc.subject | Artistic Legacies | es_ES |
dc.subject | Hispano-Filipino Ivories | es_ES |
dc.title | Artistic Legacies and the Transpacific Journey of Hispano-Filipino Ivories | es_ES |
dc.title.alternative | Transpacific Engagements: Exchange, Translation and Visual Culture in the Age of Empires | es_ES |
dc.type | book part | es_ES |
dc.rights.accessRights | open access | es_ES |
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