Female Ageing and Technological Reproduction. Feminist Transhuman Embodiments in Jasper Fforde’s The Woman Who Died A Lot
Identificadores
URI: https://hdl.handle.net/10481/97478Metadatos
Mostrar el registro completo del ítemEditorial
Palgrave
Materia
Female cyborg Female Ageing Transhumanism Disability Science Fiction
Fecha
2022Referencia bibliográfica
“Female Ageing and Technological Reproduction .Feminist Transhuman Embodiments in Jasper Fforde’s The Woman Who Died A Lot.” in Technologies of Feminist Speculative Fiction. Ed. Sherryl Vint and Sümeyra Buran, Palgrave. 2022, 283-300.
Patrocinador
The Spanish Ministry of Science and Innovation under grant PID2019-106855 GB-I00, and the Andalusian Regional Government under grant P20-000008 supported the writing of this work.Resumen
The visual power of the female-cyborg metaphor has been sensationally exploited in science fiction by rendering transhuman pictures of the female body and mind that often perpetuate old patriarchal clichés. The transhuman cyborg-woman is thus embodied as an improved female young, heterosexual, white, hypersexualized, and disposable commodity. Jasper Fforde’s novel The Woman Who Died A Lot (2012) unfolds a self-critical approach to feminist discourse that presses on the issue of female ageing as it intersects with the transhumanist construction of female biological/technological sexual desire and reproductive potential by representing ageing women as disabled.




