Unir un cuerpo roto: La poesía y los poetas en la revista Encuentro de la Cultura Cubana (1996–2009)
Metadatos
Mostrar el registro completo del ítemEditorial
Revista de Estudios Hispánicos
Fecha
2024-08Referencia bibliográfica
Rodríguez Gutiérrez, Milena, "Unir un cuerpo roto: La poesía y los poetas en la revista Encuentro de la Cultura Cubana (1996–2009)", Revista de Estudios Hispánicos, vol. 58, nº 2, 2024, pp. 545-567
Patrocinador
Este artículo se inscribe dentro del proyecto de investigación estatal "Escritores latinoamericanos en los países europeos durante la Guerra Fría", ELASOC (Escuela de Estudios Hispanoamericanos/CSIC, 2020-2024)Resumen
This article deals with the presence of poetry and poets in the exiled magazine Encuentro de la Cultura Cubana, directed by Jesús Díaz, and published in Madrid from 1996 to 1999. The article takes a tour of the various issues of the publication to approach the space dedicated to poetry and the tribute made to authors such as Gastón Baquero, Dulce María Loynaz, Roque Dalton,
Heberto Padilla, Eliseo Diego, Fina García Marruz, Rafael Alcides, among others. Based on these texts, and also appealing to the novel by Jesús Díaz Las palabras perdidas (1992), and one of its protagonists El Rojo, the role played by poetry and poets in the magazine is traced. This function would be twofold: on the one hand, to unite that broken body and divided what is the island
of Cuba and, on the other, to highlight the total disagreement between poetry and politics