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“ Acting Out’ and ‘Working Through’ Departure in T. Pynchon’s Bleeding Edge.”
dc.contributor.author | Fernández Santiago, Miriam | |
dc.date.accessioned | 2024-02-26T08:36:07Z | |
dc.date.available | 2024-02-26T08:36:07Z | |
dc.date.issued | 2019 | |
dc.identifier.uri | https://hdl.handle.net/10481/89529 | |
dc.description.abstract | The present article reads post-traumatic anticipation in Thomas Pynchon’s Bleeding Edge (2013) against the elegiac and invective literary traditions in order to suggest a realignment of postmodern predicaments in reconciliation with the modernist tradition as a means to work through social and aesthetic trauma. I contend that Pynchon problematizes his typical luddite approach to the posthuman by means of an allegorical use of communication technologies as a site for ritual mourning. | es_ES |
dc.description.sponsorship | Proyecto de Investigación: “Trauma, Cultura y Posthumanidad: La Definición del Ser en la Narrativa Norteamericana Actual” (FFI2015-63506P) | es_ES |
dc.language.iso | eng | es_ES |
dc.title | “ Acting Out’ and ‘Working Through’ Departure in T. Pynchon’s Bleeding Edge.” | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |