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dc.contributor.authorRodríguez Gutiérrez, Milena 
dc.date.accessioned2024-02-07T08:06:23Z
dc.date.available2024-02-07T08:06:23Z
dc.date.issued2015
dc.identifier.citationEl deseo y el cocuyo: sobre lo cubano en la poesía de Gertrudis Gómez de Avellaneda”, Romance Studies, vol. 33, Nº 1, 2015, pp. 44-55, https://doi.org/10.1179/0263990415Z.00000000085es_ES
dc.identifier.issn0263-9904
dc.identifier.issn1745-8153
dc.identifier.urihttps://hdl.handle.net/10481/88499
dc.description.abstractThis paper offers an approach to a unique representation of Cuba in the poetry of Gertrudis Gómez de Avellaneda. Specifically, it takes two poems as fundamental referents marking two essential moments in Avellaneda´s life. The first, ‘Al partir’, is a sonnet of 1836, when Avellaneda left Cuba for Spain. The second, ‘A un cocuyo’, is one of the poems that Avellaneda writes in Cuba upon her return to the island in 1859, after a twenty-three-year absence. This analysis explores the construction of Cuba in the poetry of Avellaneda, particularly the presence of Cuban ‘spirits’ in these two poems, and their relationshipes_ES
dc.description.sponsorshipProyecto de Investigación ‘Las poetas hispanoamericanas: identidades, feminismos, poéticas (s. XIX–XXI)’ (FEM 2013-22041P), financiado por el Ministerio de Economía y Competitividad de Españaes_ES
dc.language.isospaes_ES
dc.publisherTaylor & Francises_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleEl deseo y el cocuyo: sobre lo cubano en la poesía de Gertrudis Gómez de Avellanedaes_ES
dc.typejournal articlees_ES
dc.rights.accessRightsopen accesses_ES
dc.identifier.doi10.1179/0263990415Z.00000000085
dc.type.hasVersionVoRes_ES


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 Internacional