| dc.contributor.author | Almagro Pastor, José Antonio | |
| dc.contributor.author | García Quesada, Rafael | |
| dc.contributor.author | Vida Manzano, Jerónimo | |
| dc.contributor.author | Ramos Ridao, Ángel Fermín | |
| dc.date.accessioned | 2022-10-14T06:46:49Z | |
| dc.date.available | 2022-10-14T06:46:49Z | |
| dc.date.issued | 2022-09-15 | |
| dc.identifier.citation | Almagro-Pastor, J.A... [et al.]. The Acoustics of the Palace of Charles V as a Cultural Heritage Concert Hall. Acoustics 2022, 4, 800–820. [https://doi.org/10.3390/acoustics4030048] | es_ES |
| dc.identifier.uri | https://hdl.handle.net/10481/77308 | |
| dc.description.abstract | This paper analyses the acoustic behaviour of the Palace of Charles V from a room acoustics
perspective but also ponders the uniqueness of the space and its ability to engage and enhance the
audience experience. The Palace of Charles V is a relevant part of the historical heritage of Granada.
It has an architectural but also an acoustic uniqueness that deserves research. A measurement
campaign was made to calculate parameters such as T30, IACC, C80 or Gm, and to explain the
behaviour of the Palace. The BQI is quite high, but the late part of the impulse response (t > 80 ms) has
strong unwanted reflections causing low clarity (C80) and listener envelopment (LEV). Nevertheless,
the Palace is a successful concert venue with good feedback from musicians and the audience. | es_ES |
| dc.language.iso | eng | es_ES |
| dc.publisher | MDPI | es_ES |
| dc.rights | Atribución 4.0 Internacional | * |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | * |
| dc.subject | Room acoustics | es_ES |
| dc.subject | Open-air auditorium | es_ES |
| dc.subject | Heritage acoustics | es_ES |
| dc.title | The Acoustics of the Palace of Charles V as a Cultural Heritage Concert Hall | es_ES |
| dc.type | journal article | es_ES |
| dc.rights.accessRights | open access | es_ES |
| dc.identifier.doi | 10.3390/acoustics4030048 | |
| dc.type.hasVersion | VoR | es_ES |