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dc.contributor.authorMartínez Domingo, Miguel Ángel 
dc.contributor.authorValero Benito, Eva María 
dc.contributor.authorNieves Gómez, Juan Luis 
dc.contributor.authorBlanc García, María Rosario 
dc.contributor.authorManzano Moreno, Eloisa 
dc.contributor.authorVílchez Quero, José Luis 
dc.date.accessioned2020-05-22T08:24:46Z
dc.date.available2020-05-22T08:24:46Z
dc.date.issued2019-04-09
dc.identifier.citationMiguel Á. Martínez, Eva M. Valero, Juan L. Nieves, Rosario Blanc, Eloísa Manzano, and José L. Vílchez, "Multifocus HDR VIS/NIR hyperspectral imaging and its application to works of art," Opt. Express 27, 11323-11338 (2019) [https://doi.org/10.1364/OE.27.011323]es_ES
dc.identifier.urihttp://hdl.handle.net/10481/62184
dc.descriptionThe authors would like to thank Mr. Francisco Fernández Fábregas, owner of the Transfiguration of Christ for allowing us the privilege of studying this painting. We also acknowledge the collaboration of Angela Tate.es_ES
dc.description.abstractThis paper presents a complete framework for capturing and processing hyperspectral reflectance images of artworks in situ, using a hyperspectral line scanner. These capturing systems are commonly used in laboratory conditions synchronized with scanning stages specifically designed for planar surfaces. However, when the intended application domain does not allow for image capture in these controlled conditions, achieving useful spectral reflectance image data can be a very challenging task (due to uncontrolled illumination, high-dynamic range (HDR) conditions in the scene, and the influence of chromatic aberration on the image quality, among other factors). We show, for the first time, all the necessary steps in the image capturing and post-processing in order to obtain high-quality HDR-based reflectance in the visible and near infrared, directly from the data captured by using a hyperspectral line scanner coupled to a rotating tripod. Our results show that the proposed method outperforms the normal capturing process in terms of dynamic range, color and spectral accuracy. To demonstrate the potential interest of this processing strategy for on-site analysis of artworks, we applied it to the study of a vintage copy of the famous painting “Transfiguration” by Raphael, as well as a facsimile of “The Golden Haggadah” from the British Library of London. The second piece has been studied for the identification of highly reflective gold-foil covered areas.es_ES
dc.description.sponsorshipSpanish Ministry of Economy and Competitiveness, DPI2015-64571-R, ECQM2018-004952-Pes_ES
dc.language.isoenges_ES
dc.publisherOptical Society of Americaes_ES
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/*
dc.titleMultifocus HDR VIS/NIR hyperspectral imaging and its application to works of artes_ES
dc.typejournal articlees_ES
dc.rights.accessRightsopen accesses_ES
dc.identifier.doi10.1364/OE.27.011323


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