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dc.contributor.authorGarcía-Carril Puy, Nemesio
dc.date.accessioned2020-01-29T10:40:57Z
dc.date.available2020-01-29T10:40:57Z
dc.date.issued2019
dc.identifier.citationPuy, N. G. C. (2019). Musical Works’ Repeatability, Audibility and Variability: A Dispositional Account. Filozofija i društvo, 30(1), 54-72.es_ES
dc.identifier.urihttp://hdl.handle.net/10481/59236
dc.description.abstractThis paper is devoted to face recent views in the ontology of music that reject that musical works are repeatable in musical performances. It will be observed that musical works’ repeatability implies that they are audible and variable in their performances. To this extent, the aim here is to show that repeatability, audibility and variability are ontologically substantive features of musical works’ nature. The thesis that will be defended is that repeatability, audibility and variability are dispositional non-aesthetic properties of musical works. The plausibility of the dispositional account of musical works’ repeatability, audibility and variability will lead us to the conclusion that they are ontologically substantive features of musical works’ nature, and consequently, any suitable explanation of the ontology of musical works must not ignore them.es_ES
dc.language.isoenges_ES
dc.publisherInstitut za Filozofiju i Drustvenu Teoriju Beogrades_ES
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/*
dc.subjectOntology of musices_ES
dc.subjectMusical workses_ES
dc.subjectMusical performanceses_ES
dc.subjectMusical mediumes_ES
dc.subjectCommon groundes_ES
dc.subjectRepeatabilityes_ES
dc.subjectAudibilityes_ES
dc.titleMusical Works’ Repeatability, Audibility and Variability: A Dispositional Accountes_ES
dc.typejournal articlees_ES
dc.rights.accessRightsopen accesses_ES
dc.identifier.doi10.2298/FID1901054G


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