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The insurgency of Sendero Luminoso (“Shining Path”)
dc.contributor.author | Sequera, Magalí | |
dc.date.accessioned | 2018-06-19T10:07:15Z | |
dc.date.available | 2018-06-19T10:07:15Z | |
dc.date.issued | 2009 | |
dc.identifier.citation | Sequela, Magalí - “The insurgency of Sendero Luminoso (“Shining Path”)”, número 3, 2009, pp. 83-89. [http://hdl.handle.net/10481/51552] | es_ES |
dc.identifier.uri | http://hdl.handle.net/10481/51552 | |
dc.description.abstract | RESUMEN Topos de la literatura, el espejo en la obra de Ricardo Piglia va tomando una forma muy peculiar. Cuando aparece en sus cuentos o novelas, cobra un sentido esencial ya que es una perfecta metáfora de la poética pigliana. El espejo no refleja la realidad, sino que da lugar a otro espacio-tiempo. Abre puertas que son otras lecturas posibles, otras historias convergentes y paralelas a la vez. | es_ES |
dc.description.abstract | ABSTRACT The literary topos of the mirror stands for the most singular form of expression in Ricardo Piglia's work. Appearing in his tales and novels as the very epitome of Piglia's poetic, such mirror does not reflect reality but creates another time-space, opening doors on other possible readings, outlining different stories which are at the same time converging and parrallel to the main. | es_ES |
dc.description.sponsorship | Proyecto Letral | es_ES |
dc.language.iso | spa | es_ES |
dc.publisher | Revista Letral | es_ES |
dc.subject | Piglia | es_ES |
dc.subject | Tiempo | es_ES |
dc.subject | Arte de narrar | es_ES |
dc.subject | Espejo | es_ES |
dc.subject | Mirror | es_ES |
dc.subject | Time | es_ES |
dc.subject | Art of telling | es_ES |
dc.title | The insurgency of Sendero Luminoso (“Shining Path”) | es_ES |
dc.type | journal article | es_ES |
dc.rights.accessRights | open access | es_ES |