dc.contributor.author | Ishii, Tetsuo | |
dc.contributor.author | Saravia Vargas, José Roberto | |
dc.contributor.author | Saravia Vargas, Juan Carlos | |
dc.contributor.illustrator | Camerakarrie | es_ES |
dc.date.accessioned | 2013-06-10T06:43:36Z | |
dc.date.available | 2013-06-10T06:43:36Z | |
dc.date.issued | 2011-12-31 | |
dc.identifier.citation | Ishii, T., Saravia Vargas, J. R., Saravia Vargas, J. C. Breaking into Japanese Literature/Identity: Tatemae and Honne. Impossibilia, 2: 81-95 (2011). [http://hdl.handle.net/10481/26214] | es_ES |
dc.identifier.issn | 2174-2464 | |
dc.identifier.uri | http://hdl.handle.net/10481/26214 | |
dc.description | Fotografía: "Japan", Camerakarrie. | es_ES |
dc.description.abstract | Due to the application of Euro-centered methods of interpretation, literary criticism has overlooked key social aspects that are characteristic of Japanese literature. Among these much-neglected
characteristics one can include the paired concepts tatemae and honne. By incorporating those concepts into a reading of Japanese texts, the reader can discover social issues previously unseen. Banana Yosimoto’s novel
Kitchen is used to illustrate the different interactions of tatemae and honne. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Asociación Cultural Impossibilia | es_ES |
dc.rights | Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | en_US |
dc.subject | Japanese | es_ES |
dc.subject | Literature | es_ES |
dc.subject | Interpretation | es_ES |
dc.subject | Tatemae | es_ES |
dc.subject | Society | es_ES |
dc.subject | Banana Yoshimoto | es_ES |
dc.title | Breaking into Japanese Literature/Identity: Tatemae and Honne | es_ES |
dc.type | journal article | es_ES |
dc.rights.accessRights | open access | es_ES |