Social Inequality Under Soviet Ideology: Analysis of the Discourse System in the Film "Moscow Does Not Believe in Tears"
Metadatos
Mostrar el registro completo del ítemAutor
Valdera Gil, Juan MiguelEditorial
Common Ground Research Networks
Materia
Socialist Social Stratification Social Mobility Soviet Way of Life Socialist Meritocracy
Fecha
2013Referencia bibliográfica
Published version: Valdera Gil, J.M (2013). Social Inequality under Soviet Ideology: Analysis of Discourse System in the film Moscow does not believe in tears. The International Journal of Interdisciplinary Cultural Studies. Vol. 7., Issue 2., pp.49-70. https://doi.org/10.18848/2327-008X/CGP/v07i02/53163
Resumen
This article analyzes the discourse related to social inequality that appears in the Soviet film Moscow “Does Not Believe in Tears.” Twenty years have passed since the fall of the USSR. Interviews, feature articles in the press, and documentaries remind us of the anniversary of that event. Newly published books appear seeking to explore communism’s historic reach, explain the failure of Peristroika, or shed light upon lesser known aspects of Stalin. This article aims to analyze, though only in part, the discourse that existed within Soviet society about the phenomenon of inequality. Our eminently sociological approximation will be based upon a film very popular with the Russian people. Directed by Vladimir Menshov, it won the 1980 Academy Award for Best Foreign Language Film. It tells the story of three provincial girls in the late 1950s who emigrate to Moscow in search of a better life. Fernando Conde’s “Análisis sociológico del sistema de discursos” [Sociological Analysis of Discourse Systems], published by the Centro de Investigaciones Sociológicas (CIS) [Center for Sociological Research], will be our guide for the empirical work. We will be experimenting with this book, originally intended for discussion group and interview analysis, to see how useful it is when applied to film.





