Rupturas del pacto escénico: narrativa y discurso en el teatro de Angélica Liddell

Abstract

Angélica Liddell's theatre has become a reference of the Spanish stage as a result of the international success of her risky proposals. From a personal poetic vision, she attacks social institutions. On the basis of her autofictional self, she makes an interesting and disconcerting dialectical exercise between intimacy and public space. Her continuous ruptures with the scenic pact and her critics to Modernity make her dramaturgy a perfect example of postdramatic theatre.