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dc.contributor.authorGonzález Arévalo, Raúl 
dc.date.accessioned2025-11-14T08:04:34Z
dc.date.available2025-11-14T08:04:34Z
dc.date.issued2021
dc.identifier.citationRaúl González Arévalo, “Una presencia indeleble. La esclavitud negra en los puertos de Castilla y Aragón a fines de la Edad Media”, en Aurelia Martín Casares, Rafael Benítez Sánchez-Blanco y Andrea Schiavon (eds.), Reflejos de la Esclavitud en el Arte. Imágenes en Europa y América, Valencia, Tirant Humanidades, 2021, pp. 17-34.es_ES
dc.identifier.urihttps://hdl.handle.net/10481/107975
dc.description.abstractArt reflects society. Although slavery has not a great presence in medieval art as it has in modern and 19th century days, there are a few, significant images which recall the presence of black-African slaves in the Iberian peninsula. Through them the present paper tackles with different issues such as their volume, baptism, labour in ports and in unexpected professions such as music in the ports of both the Crowns of Castile and Aragon.es_ES
dc.language.isospaes_ES
dc.publisherTirant Humanidadeses_ES
dc.titleUna presencia indeleble. La esclavitud negra en los puertos de Castilla y Aragón a fines de la Edad Mediaes_ES
dc.typebook partes_ES
dc.rights.accessRightsembargoed accesses_ES
dc.type.hasVersionVoRes_ES


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