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Endmember Extraction for Pigment Identification Pre- and Post-intervention: A Case Study from a XVIth Century Copper Plate Painting

dc.contributor.authorLópez-Baldomero, Ana B.
dc.contributor.authorMartínez-Domingo, Miguel Ángel 
dc.contributor.authorHernández-Andrés, Javier 
dc.contributor.authorBlanc, Rosario
dc.contributor.authorVilchez-Quero, J. L.
dc.contributor.authorLópez-Montes, Ana 
dc.contributor.authorValero, Eva M.
dc.date.accessioned2025-02-07T09:24:04Z
dc.date.available2025-02-07T09:24:04Z
dc.date.issued2023-06
dc.identifier.citationAna B. López-Baldomero, Miguel A. Martínez-Domingo, Javier Hernández-Andrés, Rosario Blanc, J. L. Vilchez-Quero, Ana López-Montes, Eva M. Valero, "Endmember Extraction for Pigment Identification Pre- and Post-intervention: A Case Study from a XVIth Century Copper Plate Painting" in Archiving Conference, 2023, pp 198 - 203, https://doi.org/10.2352/issn.2168-3204.2023.20.1.40es_ES
dc.identifier.urihttps://hdl.handle.net/10481/102061
dc.description.abstractThree endmember extraction methods (NFINDR, NMF and manual extraction) are compared in two stages (pre- and post- intervention) of the same painting, a Maternity on copper plate, under study for the formulation of a hypothesis on the authorship and the dating. The endmembers are extracted from spectral images in the 400-1000 nm range. The main aim is to determine if simple automatic endmember extraction is enough for pigment and re-painted areas identification in this case study.es_ES
dc.description.sponsorshipColor Imaging Lab, Department of Opticses_ES
dc.language.isoenges_ES
dc.publisherSociety for imaging science and technologyes_ES
dc.relation.ispartofseriesProc. Archiving 2023;
dc.rightsAtribución-NoComercial 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/*
dc.subjectpigment identificationes_ES
dc.subjectunmixinges_ES
dc.subjectspectral imaginges_ES
dc.subjectpainting es_ES
dc.subjectendmember extractiones_ES
dc.titleEndmember Extraction for Pigment Identification Pre- and Post-intervention: A Case Study from a XVIth Century Copper Plate Paintinges_ES
dc.typeconference outputes_ES
dc.rights.accessRightsopen accesses_ES
dc.identifier.doi10.2352/issn.2168-3204.2023.20.1.40
dc.type.hasVersionAOes_ES


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