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dc.contributor.authorAguilera Carnerero, María Del Carmen 
dc.date.accessioned2025-01-27T10:57:44Z
dc.date.available2025-01-27T10:57:44Z
dc.date.issued2021
dc.identifier.urihttps://hdl.handle.net/10481/100505
dc.description.abstractSince the Islamic State proclaimed the Caliphate in 2014, the terrorist organization has been prominent due to the high-quality and efficient distribution of its propaganda, especially in the main online social media platforms. Two of their most popular vehicles for indoctrination and recruitment, the e-magazines Dabiq and Rumiyah, perfectly embody the philosophy of an organization constructed upon a multi-semiotic polarized discourse in which the antagonism between enemies and heroes is stated in many different ways. Using multimodal critical discourse analysis and visual framing as our main theoretical frameworks, this chapter analyses the semiotic structure of the images of foes and allies in the aforementioned magazines to show their essential role within the propaganda machine of the Islamic State, designed to achieve two main interconnected goals: the legitimation of their actions and, through this, the adherence of new fighters to their cause.es_ES
dc.language.isoenges_ES
dc.publisherRoutledgees_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleOf heroes and enemies visual polarization in the propaganda magazines of the islamic statees_ES
dc.typebook partes_ES
dc.rights.accessRightsembargoed accesses_ES
dc.identifier.doihttps://doi.org/10.4324/9781003094005
dc.type.hasVersionVoRes_ES


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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