DFIA - Artículoshttps://hdl.handle.net/10481/191112024-03-28T11:47:15Z2024-03-28T11:47:15ZOf Language and Music. A Neo-Baroque, Environmental Approach to the Human, Infrahuman and Superhuman in Richard Powers’ OrfeoFernández Santiago, Miriamhttps://hdl.handle.net/10481/895312024-02-26T08:41:18ZOf Language and Music. A Neo-Baroque, Environmental Approach to the Human, Infrahuman and Superhuman in Richard Powers’ Orfeo
Fernández Santiago, Miriam
Lo Plausible. Similitudes y Diferencias entre la Malinche y PocahontasFernández Santiago, Miriamhttps://hdl.handle.net/10481/895302024-02-26T08:37:16ZLo Plausible. Similitudes y Diferencias entre la Malinche y Pocahontas
Fernández Santiago, Miriam
“ Acting Out’ and ‘Working Through’ Departure in T. Pynchon’s Bleeding Edge.”Fernández Santiago, Miriamhttps://hdl.handle.net/10481/895292024-02-26T08:36:07Z“ Acting Out’ and ‘Working Through’ Departure in T. Pynchon’s Bleeding Edge.”
Fernández Santiago, Miriam
The present article reads post-traumatic anticipation in Thomas Pynchon’s Bleeding Edge (2013) against the elegiac and invective literary traditions in order to suggest a realignment of postmodern predicaments in reconciliation with the modernist tradition as a means to work through social and aesthetic trauma. I contend that Pynchon problematizes his typical luddite approach to the posthuman by means of an allegorical use of communication technologies as a site for ritual mourning.
Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical ImaginationFernández Santiago, Miriamhttps://hdl.handle.net/10481/895282024-02-26T08:34:55ZOrfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination
Fernández Santiago, Miriam
Agential Materialism and the Feminist Paradigm. A Posthumanist ApproachFernández Santiago, Miriamhttps://hdl.handle.net/10481/895272024-02-26T08:34:03ZAgential Materialism and the Feminist Paradigm. A Posthumanist Approach
Fernández Santiago, Miriam