https://hdl.handle.net/10481/13693 2026-04-18T04:52:48Z 2026-04-18T04:52:48Z González Vida, María Reyes Mancilla Abril, Marisa Sánchez Montalbán, Francisco José Velasco Aranda, Rosario https://hdl.handle.net/10481/112865 2026-04-17T09:17:27Z

BAG International Arts Festival at UGR - 4th / 5th / 6th González Vida, María Reyes; Mancilla Abril, Marisa; Sánchez Montalbán, Francisco José; Velasco Aranda, Rosario La presente publicación reúne los resultados obtenidos en las ediciones 4ª (2020-21), 5ª (2021-22) y 6ª (2022-23) del Festival Internacional de Arte BAG, una iniciativa de la Facultad de Bellas Artes de la Universidad de Granada en colaboración con el Vicerrectorado de Internacionalización. El objetivo primordial del festival ha sido fomentar el intercambio artístico entre instituciones de educación superior, entendiendo la internacionalización y el diálogo intercultural como medios fundamentales para la investigación, la docencia y la extensión del aprendizaje interuniversitario. A través de sus programaciones, se han tendido puentes entre facultades, universidades y países, posicionando el arte como un vehículo de intercambio, comprensión mutua y crecimiento colectivo en una amplia red de relaciones con socios internacionales. Este volumen documenta un trienio crucial en el que la producción artística y la cooperación académica se vieron profundamente condicionadas por la crisis sanitaria global de la COVID-19. Dicho contexto operó como un catalizador que obligó a redefinir las dinámicas de colaboración y a explorar las posibilidades de los entornos digitales para la interacción y la creación artística, reformulando los procesos de cooperación institucional. De esta forma, el festival se asienta como un punto de encuentro donde convergen voces creativas diversas que invitan a la reflexión sobre temas de trascendencia internacional. El arte se manifiesta, así, como un agente clave que contribuye a generar conocimiento ofreciendo respuestas a problemáticas actuales.; This publication brings together the results obtained in the 4th (2020–21), 5th (2021–22), and 6th (2022–23) editions of the BAG International Art Festival, an initiative of the Faculty of Fine Arts at the University of Granada in collaboration with the Vice-Rectorate for Internationalization. The primary objective of the festival has been to promote artistic exchange between higher education institutions, understanding internationalization and intercultural dialogue as fundamental means for research, teaching, and the extension of interuniversity learning. Through its programmes, bridges have been built between faculties, universities, and countries, positioning art as a vehicle for exchange, mutual understanding, and collective growth within a broad network of relationships with international partners. This volume documents a crucial three-year period in which artistic production and academic cooperation were deeply shaped by the global COVID-19 health crisis. This context acted as a catalyst, forcing a redefinition of collaborative dynamics and prompting the exploration of digital environments for interaction and artistic creation, thereby reshaping processes of institutional cooperation. In this way, the festival is established as a meeting point where diverse creative voices converge, inviting reflection on issues of international significance. Art thus emerges as a key agent contributing to the generation of knowledge by offering responses to contemporary challenges.

Gallego Martínez, Maria Dolores https://hdl.handle.net/10481/111678 2026-02-27T11:08:44Z

Ósmosis entre dos I. III Certamen Internacional de pintura Manuel Ángeles Ortiz 2018 Gallego Martínez, Maria Dolores Catálogo de las obras finalistas y premiadas del III Certamen Internacional de pintura Manuel Ángeles Ortiz 2018 de la Universidad de Jaén, dentro del marco de los Premios de Creación Artística y Literaria. Con este certamen, la UJA fomenta el uso de nuevos medios y lenguajes y explorar innovadoras fórmulas de conocimiento. En esta edición se presentaron 39 artistas procedentes de toda España. De entre todas ellas, el jurado seleccionó 13 para la exposición, que también se pueden ver en dicho libro. En este caso, se publica el premio de adquisición de este año que se otorgó a artista giennense menor de 35 años: María Dolores Gallego, por su obra Ósmosis entre dos I (140 x 140 cm).; Catalogue of the finalists and winners of the 3rd Manuel Ángeles Ortiz International Painting Competition 2018 at the University of Jaén (Spain), as part of the Artistic and Literary Creation Awards. With this competition, the UJA promotes the use of new media and languages and explores innovative forms of knowledge. In this edition, 39 artists from all over Spain submitted their work. Of these, the jury selected 13 for the exhibition, which can also be seen in this book. In this case, this year's acquisition prize, awarded to an artist from Jaén under the age of 35, is published: María Dolores Gallego, for her work Ósmosis entre dos I (140 x 140 cm).

Mazuecos Sánchez, Amalia Belén Gallego Martínez, María Dolores https://hdl.handle.net/10481/111649 2026-02-27T08:31:05Z

FACBA’14. VI Feria de Arte Contemporáneo de la Facultad de Bellas Artes Mazuecos Sánchez, Amalia Belén; Gallego Martínez, María Dolores La publicación FACBA’14. VI Feria de Arte Contemporáneo de la Facultad de Bellas Artes, constituye un catálogo razonado que documenta la sexta edición de esta feria universitaria, consolidada como plataforma de mediación entre la creación emergente y el sistema del arte. Editada por la Universidad de Granada, la obra recoge las propuestas de diez espacios expositivos —galerías comerciales y centros independientes— y visibiliza el trabajo de jóvenes artistas (estudiantes destacados de la facultad). Estructurada en torno a la transferencia del conocimiento artístico, la publicación incluye textos críticos del Director del Centro de Cultura Contemporánea y del Decano de la Facultad, así como una presentación de la Vicedecana de Extensión Cultural, Belén Mazuecos, quien subraya el valor de iniciativas que conectan la academia con el exterior. Concretamente en esta parte del catálogo publicado, se presenta la obra “Textiles Alhambrescos XIX” de María Dolores Gallego seleccionada para participar en la feria.; The publication FACBA’14. VI Contemporary Art Fair of the Faculty of Fine Arts is a catalogue raisonné documenting the sixth edition of this university fair, which has established itself as a platform for mediation between emerging creation and the art system. Published by the University of Granada, the work brings together the proposals of ten exhibition spaces—commercial galleries and independent centres—and showcases the work of young artists (outstanding students from the faculty). Structured around the transfer of artistic knowledge, the publication includes critical texts by the Director of the Centre for Contemporary Culture and the Dean of the Faculty, as well as a presentation by the Vice-Dean of Cultural Extension, Belén Mazuecos, who highlights the value of initiatives that connect academia with the outside world. Specifically, this part of the published catalogue presents the work ‘Textiles Alhambrescos XIX’ by María Dolores Gallego, selected to participate in the fair.

Gallego Martínez, María Dolores Del Moral, Antonio Gallego Lendínez, Rosa Belén Scheroff, Miguel https://hdl.handle.net/10481/111422 2026-02-24T08:01:28Z

Orígenes. María Dolores Gallego Gallego Martínez, María Dolores; Del Moral, Antonio; Gallego Lendínez, Rosa Belén; Scheroff, Miguel El catálogo "Orígenes" documenta la exposición individual homónima de María Dolores Gallego, celebrada del 11 de noviembre al 20 de diciembre de 2023 en la Galería AZUR (Jaén, España). La exposición, comisariada por Antonio Del Moral, reúne textos críticos de Rosa Lendínez (Doctora en Bellas Artes por la Universidad de Barcelona y profesora de la UB) y Miguel Scheroff (artista e investigador), quienes analizan la trayectoria de Gallego —profesora del Departamento de Pintura de la Universidad de Granada— desde sus inicios hasta 2023. Los ensayos destacan su metodología de investigación-creación basada en la hibridación entre arte, artesanía y diseño textil, así como su capacidad para integrar referencias culturales andaluzas en un lenguaje pictórico contemporáneo. El catálogo documenta una exquisita selección de obras fundamentales de la artista de los proyectos pictóricos "Animales Hilvanados" y "Textiles Alhambrescos", obras que han sido exhibidas previamente en España, Italia y Estados Unidos. Estos cuadros evidencian su innovación metodológica al trasladar procesos textiles tradicionales (como el bordado con hilo o la estampación en bloque sobre tejidos) al plano pictórico como medio para reflexionar sobre identidad, territorio y memoria. La publicación incluye reproducciones de las obras expuestas con sus correspondientes fichas técnicas, así como la biografía artística de Gallego, que acredita una trayectoria consolidada con más de ochenta exposiciones nacionales e internacionales, estancias de investigación en centros de Atenas, Roma, Milán, São Paulo y Bucarest, y los premios obtenidos hasta el momento. El catálogo constituye, por tanto, un documento de referencia para el estudio de la creación contemporánea en el ámbito de la pintura desde la práctica textil y su vinculación con la investigación universitaria.; The catalogue "Orígenes" documents the eponymous solo exhibition by María Dolores Gallego, held from November 11 to December 20, 2023, at the AZUR Gallery (Jaén, Spain). The exhibition, curated by Antonio Del Moral, brings together critical texts by Rosa Lendínez (PhD in Fine Arts from the University of Barcelona and professor at the UB) and Miguel Scheroff (artist and researcher), who analyze Gallego's career —as a professor in the Department of Painting at the University of Granada— from her beginnings up to 2023. The essays highlight her research-creation methodology based on the hybridization of art, craftsmanship, and textile design, as well as her ability to integrate Andalusian cultural references into a contemporary pictorial language. The catalogue documents an exquisite selection of the artist's fundamental works from the pictorial projects "Animales Hilvanados" (Basted Animals) and "Textiles Alhambrescos" (Alhambresque Textiles), works that have previously been exhibited in Spain, Italy, and the United States. These paintings evidence her methodological innovation by transferring traditional textile processes (such as embroidery with thread or block printing on fabrics) to the pictorial plane as a means of reflecting on identity, territory, and memory. The publication includes reproductions of the exhibited works with their corresponding technical details, as well as Gallego's artistic biography, which attests to a consolidated career with over eighty national and international exhibitions, research stays at centers in Athens, Rome, Milan, São Paulo, and Bucharest, and the awards received to date. The catalogue therefore constitutes a reference document for the study of contemporary creation in the field of painting through textile practice and its connection to university research.

Gallego Martínez, María Dolores https://hdl.handle.net/10481/111413 2026-02-24T07:54:05Z

Circles of recognition in Andalusia: a study of the artistic careers of two different generations of artists Gallego Martínez, María Dolores The current emerging and contemporary art passes all artworks and artists through filters, institutional controls, specialist of art or/and public. It is during this process, when they acquire value (artistic and economic) and meaning. Furthermore, the current period of crisis, technological advances and the socio-cultural and political transformations is modifying the traditional artist practice. Therefore, the investigation is a study of established relationships among diverse stakeholders (artists, collectors, gallerists, collectors, curators, critics) in the Andalusian context. The article studies career trajectories of a group of emerging and contemporary visual artists (20) of two different generations ( the first generation: born at the end of the sixties and at the beginning of the seventies / the second generation: the end of the seventies and during eighties) to analyze the specific characteristics and changes of artistic trajectories to each generation. The comparison of two generations of artists reflects the evolution of the emerging and contemporary art system in Andalusia and help to understand a specialist and unknown sector with its own rules. Young artists have to position themselves. As result, it possible to consider the development in the Andalusian art system has occurred in the last fifteen years. There are negative and positive aspects as: the significant dwindling of awards, artwork purchases, and grants and financial aid for creative output for artists, current proliferation of franchise museums, contemporary art galleries closed (regional and national reputation), new roles of artist in the art system and the creation of Union of Visual Artists of Andalusia-uavA among others issues. I would like to emphasize that Emerging artists are facing a competitive situation. They are competitors, having to promote and circulate their work themselves using online marketing strategies to turn themselves into a brand or a product.