@misc{10481/91497,
year = {2024},
month = {4},
url = {https://hdl.handle.net/10481/91497},
abstract = {This study aims to reveal the application of "quotation" process from narrative text to theatrical text
within an Algerian experiment where what is said about the clear change between the two texts was
noted, the presence of a distinct imprint, and vision of each writer according to his environment, and
his creative and intellectual goal given that this type of writing has synchronized theater since the
epoch. Moreover, the existing writing process places us in front of a Theory of Intersecting Genres
and the reality of agreement and difference between narrative and dramatic texts in the construction
process. It also highlights the extent to which theater can express the spirit of the story and clarify its
elements. Findings showed that there is an intersection and difference between the two texts on
several levels including idea, characters, place, and others. The dramatic text "Dear Tarzan" by Fouad
Kafi was chosen, adapted from the narrative text of Aziz Nesin's story from the collection "Mule Love
Story" one of the pioneers of Turkish novel.},
publisher = {Universidad de Granada},
keywords = {Quotation},
keywords = {Theatrical Text},
keywords = {Narrative Text},
keywords = {Play},
title = {The Aesthetics of Quotation from Narrative to Dramatic Text: An Applied Study},
doi = {10.47750/jett.2024.15.02.006},
author = {Benallouche, Houria and Mouats, Nadia},
}