@misc{10481/89529,
year = {2019},
url = {https://hdl.handle.net/10481/89529},
abstract = {The present article reads post-traumatic anticipation in Thomas Pynchon’s Bleeding Edge (2013) against the elegiac and invective literary traditions in order to suggest a realignment of postmodern predicaments in reconciliation with the modernist tradition as a means to work through social and aesthetic trauma.  I contend that Pynchon problematizes his typical luddite approach to the posthuman by means of an allegorical use of communication technologies as a site for ritual mourning.},
organization = {Proyecto de Investigación: “Trauma, Cultura y Posthumanidad: La Definición del Ser en la Narrativa Norteamericana Actual” (FFI2015-63506P)},
title = {“ Acting Out’ and ‘Working Through’ Departure  in T. Pynchon’s Bleeding Edge.”},
author = {Fernández Santiago, Miriam},
}