@misc{10481/88349,
year = {2024},
month = {2},
url = {https://hdl.handle.net/10481/88349},
abstract = {This chapter approaches the idea of music narrativity within the scope of comparative discourse stylistics. Considering the music score as a text, The author discusses if the understanding of a music piece as a story implies its perception also as a piece of narrative fiction. To do so, discourse situation in verbal narrative fiction (Leech & Short, 2007) is transmuted into music narrative (Steiner, 1996) . The lack of a narrative voice, the crafting of the story through dramatic interaction and its performative dimension suggest that our perception of a music piece may shift away from narrative to dramatic discourse.},
publisher = {Bloomsbury Academic},
title = {Narrativity, discourse situation and the opening of Elgar's cello concerto in E minor, Op. 85},
doi = {9781350405431},
author = {Falces Sierra, Marta},
}