@misc{10481/88249,
year = {2024},
url = {https://hdl.handle.net/10481/88249},
abstract = {This thesis applies queer theories to the examination of experiences which go beyond queerness.
Decolonial, antiracist and feminist new materialist theories are applied to four case studies dealing
with the issue of power and public art spaces. By applying concepts as methodologies,
autoethnographic reflections and f(r)ictions as research alternatives, the thesis brings up new
diffractive readings from where to perform those scenarios differently. In doing so, the thesis
disentangles historical, material, philosophical, political and disruptive meanings which haunt the
four case studies and bring out their artivist potential.},
abstract = {Questa tesi applica la teoria queer per examinare sperienze che vanno altro il queerness. Teorie
decoloniali, antirraciste, feministe e nuevo materialiste si applicano a cuatro casi studi che essaminano
il problema del potere e gli spazi artistici publici. Traverso la applicazione di concetti come
metodologie, riflesioni autoethnografiche e alternative fictionalizi per la ricerca, porta nuove letture
da dove attivare quelli scenario di altre forme. Di questa maniera, si sbogriano significati historici,
materiali, filosofici, mistici, politiche e disrutivi che sono spettri dei casi studio presentati in questa
disseminazione.},
organization = {Tesis Univ. Granada.},
organization = {Ministry of Education. FPU fellowship},
publisher = {Universidad de Granada},
title = {Power in Public Art Spaces. Frictions, Performativity and the Generation of Counter-Hegemonic Narratives},
author = {Harris Sánchez, Ángela},
}