@misc{10481/79715,
year = {2022},
month = {11},
url = {https://hdl.handle.net/10481/79715},
abstract = {The semantic openness constitutes the mirror that reflects the imagination and intellectual creativity
through awareness and perception and the openness of the borders between cultures and ideas in the
effectiveness of invention that appears between contemporary plastic arts, which gives freedom for
artists to express and diversify their artistic trends and their acquisition of experiences, and study the
concept of openness and its impact on the formation of artistic achievement and the study of
semantics And its multiplicity in the formal structure. The openness of the visual text to multiple
readings and different connotations. Therefore, we find interpretation contributes to the production of
creative texts, and from here the research attempts to be free from commitment to one meaning;
therefore, the semantics varied, and the text became open and transgressive to other texts, which leads
to the textual openness through the overlapping of texts and the multiplicity of readings. This research
aims to know the semantic openness in the plastic arts (painting, sculpture, and ceramics) that
includes an artistic product based on a related text with open connotations.},
publisher = {Universidad de Granada},
keywords = {Semantic},
keywords = {Openness},
keywords = {Arts},
title = {Semantic openness in the plastic arts},
doi = {10.47750/jett.2022.13.04.031},
author = {Abdullatif Abdulaziz Muhammad, Basma and Ahmed Alshaya, Sabah},
}