@misc{10481/65893,
year = {2019},
url = {http://hdl.handle.net/10481/65893},
abstract = {En el marco escenográfico de la vivienda japonesa se suceden los acontecimientos de la mayor
parte de las películas del director de cine Yasujiro Ozu. La investigación sobre los espacios
domésticos de las películas del director japonés, son una reflexión sobre el espacio privado,
que al ser mostrado mediante el desenlace cinematográfico deja de ser tan privado y nos
descubre otro lado que está tras la propia casa representada, tras la escena, o incluso tras el
propio guion o dirección de la película.},
abstract = {In most of director Yasujiro Ozu’s films, events unfold within the setting of Japanese homes.
The study of domestic spaces in his films are a reflection on private spaces, which, when shown
cinematographically, cease to be as private and reveal other hidden aspects of the home,
behind the scenes, or even underlying the script or the direction of the film itself.
An analysis is given of these interiors and the way they are exposed. The article presents a
rationale of the spectator’s mental construction of the space, who relates the events unfolding in
the staged space, previously conceived and filmed by the director.},
publisher = {Abada Editores},
keywords = {Ozu},
keywords = {Escenografía},
keywords = {Escena},
keywords = {Espectador},
keywords = {Vivienda},
keywords = {Scenography},
keywords = {Scene},
keywords = {Spectator},
keywords = {Home},
title = {Fondos de escena en el cine de Ozu},
author = {Barberá Pastor, Carlos},
}