@misc{10481/59061,
year = {2019},
url = {http://hdl.handle.net/10481/59061},
abstract = {Desde 1930, Colombia ha sufrido graves manifestaciones de violencia
política que, agravadas a partir de 1947, se manifiestan aún. El tema ha
sido reiterativo en obras de artistas visuales colombianos de varias generaciones y se ha vuelto una tradición. Este estudio está centrado en
los primeros pintores que se dedicaron a denunciar las particularidades de esta larga y sangrienta guerra civil no declarada, trazando un
paralelo entre los episodios registrados históricamente y lo que expresan sus cuadros.},
abstract = {Since 1930, Colombia has suffered acute moments of violence that beginning in 1947 have become part of the social fabric. As a result, this
has been a repetitive theme of intergenerational Colombian visual artists, thereby creating a tradition. This study is centered on the first
painters that dedicated their work to denounce this long and blooded
non-declared civil war, showing the connections between violent episodes and how art works express the historically recognized moments.},
publisher = {Universidad de Granada},
keywords = {Colombia},
keywords = {Arte},
keywords = {Política},
keywords = {Violencia},
keywords = {9 de abril},
keywords = {Jorge Eliécer Gaitán},
keywords = {Art},
keywords = {Politics},
keywords = {Violence},
keywords = {April 9th},
title = {La política, la violencia y sus repercusiones en el arte colombiano, 1948-1956},
author = {Medina, Álvaro},
}