@misc{10481/57416,
year = {2019},
url = {http://hdl.handle.net/10481/57416},
abstract = {My multi-layered hypothesis is that feminist material-discursive practices
enacted either by documentary filmmakers, filmed subjects or film spectators, have
effects on the visualisation of in/equalities in and through the films content and form, but
also in and through their contexts of production and reception. In order to identify these
effects, contemporary documentary cinema that deals with social inequalities rooted in,
but not limited to, gender, can be analysed as a diffraction apparatus, i.e. technologies
that create boundaries and make the world intelligible through intra-actions between
human and non-human agencies of observation and objects of observation.},
organization = {Tesis Univ. Granada.},
organization = {This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 675378.},
publisher = {Universidad de Granada},
keywords = {Spanish non-fiction films},
keywords = {Italian non-fiction films},
keywords = {Feminist Practices},
keywords = {Contemporary Documentary Cinema},
title = {Visualising In/Equalities through Contemporary Documentary Cinema. A Diffractive Reading of Feminist Practices in Spanish and Italian Non-Fiction Films},
author = {Calderón Sandoval, Orianna Aketzalli},
}