@misc{10481/56297,
year = {2017},
url = {http://hdl.handle.net/10481/56297},
abstract = {El presente artículo pretende poner de manifiesto el papel decisivo que el cantero y arquitecto Melchor de Aguirre, junto con su taller, jugó en el cambio de modelo de los retablos y las portadas del Barroco tardío andaluz. Con esta premisa, se realiza un estudio que contrasta los hallazgos de trabajos precedentes, así como los resultados propios derivados de las investigaciones desarrolladas sobre este conspicuo alarife como autor del Oratorio de San Felipe Neri de Granada.},
abstract = {This paper aims to highlight the decisive role played by the stonemason and architect Melchor de Aguirre, together with his worshop, in the change of model of altarpieces and façades during the late Baroque in Andalusia. With this premise, it’s done a study that contrasts the findings of previous works, as well as the own results derived from the investigations carried out on this eminent architect as author of the Oratory of Saint Philip Neri in Granada.},
organization = {Grupo HUM-362 "Arte y cultura en la Andalucía moderna y contemporánea"},
publisher = {Anales de Historia del Arte},
keywords = {Historia del Arte},
keywords = {Barroco},
keywords = {Arquitectura},
keywords = {Siglo XVII},
keywords = {España},
keywords = {Andalucía},
keywords = {Melchor de Aguirre},
keywords = {Cantería},
keywords = {Portadas},
keywords = {Retablos},
title = {Melchor de Aguirre, cantero y arquitecto: corpus de portadas y retablos},
doi = {//dx.doi.org/10.5209/ANHA.57485},
author = {Díaz Gómez, José Antonio},
}