@misc{10481/4631,
year = {2001},
url = {http://hdl.handle.net/10481/4631},
abstract = {Beginning the fifth weekend before Eastern, many towns and villages throughout Andalusia effervesce in social, musical and religious activity.
Saetas and sung announcements, examples of traditional and popular music -thus
in a continuous state of evolution-, are performed once again in the context of
paraliturgical rituals, often unsupervised by hierarchical control.
Preflamenco and flamenco saetas are presented here as identity symbols of
individuals, as well as cofradias (lay brotherhoods), districts or towns, and
studied as a sign and means of sociability during a festive time (Lent and
Eastern).},
abstract = {Desde la Cuaresma, muchos pueblos y ciudades de Andalucía se llenan de actividad social, musical y religiosa. Las saetas y los pregones, músicas populares de tipo tradicional -y por tanto sometidas hoy día a evolución- suenan una vez más en el contexto de rituales paralitúrgicos en el seno de cofradías, que son estudiadas como un signo y símbolo de sociabilidad e identidad durante un tiempo festivo.},
organization = {Univ. Granada. Departamento de Historia del Arte y Música. Grupo Patrimonio Musical de Andalucía.},
publisher = {Madrid: Sociedad Española de Musicología},
keywords = {Música},
keywords = {Music},
keywords = {Religiosidad popular},
keywords = {Popular Piety},
keywords = {Músicas populares y tradicionales},
keywords = {Popular and Traditional Musics},
keywords = {Tiempo festivo},
keywords = {Festive Times},
keywords = {Música y símbolos},
keywords = {Music as Symbol},
keywords = {Modelos en Etnomusicología},
keywords = {Models in Ethnomusicology},
title = {Música y religiosidad popular: Saetas y misereres en la Semana Santa andaluza},
author = {Berlanga Fernández, Miguel},
}