@misc{10481/27424,
year = {2008},
url = {http://hdl.handle.net/10481/27424},
abstract = {La reputación como artista que acompañó a Torcuato Ruiz del Peral, en sus cinco décadas de actividad escultórica, le aseguraron el aprecio de una variada y dispersa clientela. Las exigencias de sus patronos le llevaron a desarrollar una actividad intensa y exhaustiva para la que hubo de recurrir frecuentemente a modelos grabados y dibujos. De todos sus patronos conocidos, principalmente eclesiásticos, fue la estrecha relación mantenida con el VI Conde de Luque la que ha permitido trazar el perfil personal de un artista atormentado por la búsqueda de la excelencia.},
abstract = {Torcuato Ruiz del Peral’s artistic reputation, built up in five decades of sculptural output, assured his work a varied and widespread public. His patrons’ demands imposed on him a strenuous routine which involved frequent recourse to engravings and drawings as modelos. Though his known patrons were mainly churchmen, it has been his close relationship with the 6th Count of
Luque which has revealed the picture of an artist haunted by the pursuit of excellence.},
publisher = {Centro de Estudios "Pedro Suárez"},
keywords = {Escultura barroca},
keywords = {Baroque Sculpture},
keywords = {Clientelismo},
keywords = {Customer relations},
keywords = {Coleccionismo},
keywords = {Connoisseurship},
keywords = {Patronazgo},
keywords = {Patronage},
keywords = {Torcuato Ruiz del Peral},
keywords = {Francisco de Paula Fernández de Córdoba},
keywords = {Siglo XVIII},
title = {"Que no soi angel, que soi hombre muy limitado". Torcuato Ruiz del Peral y el VI Conde de Luque},
author = {Rodríguez Domingo, José Manuel},
}