@misc{10481/108801,
year = {2022},
url = {https://hdl.handle.net/10481/108801},
abstract = {The aim of this essay is to explore the implications that the
 production of art generated by Artificial Intelligence has for the notion of artistic beauty. Since its appearance, AI
 art has been presented as a challenge to the very concept of art, understood
 essentially as a human production. Given that works of
 art created by artificial intelligence are a very recent phenomenon,
 there has not yet been much philosophical or aesthetic discussion
 on the matter and the scarce literature published so far focuses
 mainly on the question of artistic creativity. AI art’s capability to
 produce beautiful works is often used to demonstrate the creativity
 of these intelligent machines and the artistic status of this sort of
 production. However, the notion of artistic beauty is dependent on the notion
 of art, although, according to some of the most influential accounts
 on the matter, this is not an incidental attribute, but one
 that is bound up with the aims and meanings of artworks, which
 refer to the artists’ artistic intentions. Thus, it is worth asking
 whether artistic (meaningful) beauty can be assigned to worksmade by machines which do not have intentions of any kind.},
organization = {Project “Beyond Beauty: Nature and Critical Relevance of Aesthetic Properties”. (Fundación SENECA, Plan Regional de Ciencia y Tecnología de la Región de Murcia),},
organization = {Project “Normative Aspects of Aesthetic Appreciation”; Spanish Ministry of Science and Innovation.},
publisher = {Iris Vidmar Jovanović and Valentina Marianna Stupnik},
keywords = {artistic beauty},
keywords = {artistic creativity},
keywords = {AI art},
title = {Artistic Beauty in the face of Artificial Intelligence},
author = {Carrasco Barranco, Matilde},
}