@misc{10481/106153,
year = {2012},
url = {https://hdl.handle.net/10481/106153},
abstract = {Abordamos el estudio de la Virgen del Lucero de Alonso Cano, analizando sus valores plásticos, pictóricos e iconográficos, pero también su proceso creativo, su técnica de ejecución y los materiales artísticos utilizados. Análisis que nos ha permitido reivindicar la autoría de Alonso Cano frente a Wethey, el máximo estudioso del artista, que la consideraba una realización mediocre de taller. Situamos la obra en el contexto de las demandas artísticas de la Iglesia contrarreformista, en un proceso de democratización de la meditación que, promovida ya por la Devotio Moderna, alcanzaría su apogeo con los Ejercicios Espirituales de Ignacio de Loyola.},
abstract = {In this paper we study the ‘Virgen del Lucero’ by Alonso Cano through the analysis of its artistic, pictorial and iconographic values, its creative process, its technical execution and the artistic materials used. These analyses allow us to claim its authorship to Alonso Cano against the point of view of Wethey, the top expert in the artist, who considered it a mediocre workshop painting. We place the work in the context of Counter-Reformation artistic demands and the democratization of meditation, which had been promoted by the devotio moderna and reached its apogee with the Spiritual Exercises by Ignatius of Loyola.},
publisher = {Universidad de Granada},
keywords = {Estudio radiográfico},
keywords = {Contraste radiográfico},
keywords = {Estratigrafía},
keywords = {Pigmentos y Aglutinantes},
keywords = {Blanco de plomo},
keywords = {Pintura barroca},
keywords = {Escuela Granadina},
keywords = {Alonso Cano},
keywords = {X-ray study},
keywords = {X-ray contrast},
keywords = {pigments; binders},
keywords = {white lead},
keywords = {Baroque painting},
keywords = {school of Granada},
keywords = {Siglo XVII},
title = {La Virgen del Lucero de Alonso Cano},
author = {Rodríguez Simón, Luis Rodrigo and León Coloma, Miguel Ángel},
}