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Please use this identifier to cite or link to this item: http://hdl.handle.net/10481/26210

Title: La poetica fisionomica di Franz Kafka
Authors: Ferrari, Dario
???metadata.dc.contributor.illustrator???: Malfatti, Sarah
Issue Date: 31-Oct-2011
Abstract: This paper is an attempt to sketch out a eading of Kafka’s work based on the idea that the physiognomic principle is the pillar of his grotesque poetics. According to this principle, Kafka’s literary work is not to be interpreted (i.e. there is no eaning beyond it to look for) but it is instead to be read as an experimental machine that immanently produces its own sense. This anti-transcendent reading, which makes use of some fundamental philosophical accounts (such as Deleuze and Guattari’s, Wittgenstein’s and Adorno’s), is developed in particular in two directions: on the one side the abolition of the subject and on the other side the creation of an anti-perspective and anti-metaphorical literature.
Publisher: Asociación Cultural Impossibilia
Description: Fotografía: "Sin título", Sarah Malfatti
Keywords: Kafka
Physiognomy
Immanence
Grotesque
URI: http://hdl.handle.net/10481/26210
ISSN: 2174-2464
Rights : Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License
Citation: Ferrari, D. La poetica fisionomica di Franz Kafka. Impossibilia, 2: 13-31 (2011). [http://hdl.handle.net/10481/26210]
Appears in Collections:Impossibilia, 2 - 2011

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